JEANNE MOREL ART IN SPACE
Jeanne Morel and Paul Marlier
ART & AI
Since 2017 Paul Marlier has been using deep learning and artificial intelligence. He works hand in hand with the machine to create tools, his own tools, adaptable to extreme environments (weightlessness, high altitude, underwater environments, etc.). AI is an integral part of the work he does with Jeanne Morel to generate code, data classification, but also music, images and films for their artistic and technological creation as well as for education. Because everyone has the right to create, express their creativity and understand these new tools that surround us.

Dialogue with the machine
The OVERVIEW performance generated under a dome as well as the D3N3B performance are body/machine dialogues linking neuro-art and spatial domain. Because we are all dancers in this universal ballet, that of the stars, that of the cells. This dialogue is that of a dancing body and an inert memory. A moment of grace between emotional and artificial intelligence.
The AI Tool
.The EN0C sculpture is the first sculpture worked with Artificial Intelligence. It is the reflection of a "four hands" man / machine and illustrates the materialization of the immaterial absolute, that of the emotional, ephemeral and so fragile data of Jeanne Morel in weightlessness.



AI & Education
Jeanne Morel and Paul Marlier work with the Ministry of Education, the DRAC Bourgogne Franche-Comté and the Versailles rectorate to offer students (primary, middle and SEGPA classes) help, a right arm, a draft, which they remain masters of. AI is nothing other than a new tool. Digital art, a new language, perhaps a new score made of contemporary hieroglyphics. This language is used daily by young students, but do they really know how to apply it as a creative tool?
The PERSEIDES, CONSTELLATIONS, L'ENVOL and METEORES workshops have been addressing these issues since 2022.
(image created by Nina, CM2 student at La Loye - Atelier Perséides)

Fireworks body
The ATL4S performance is an ode to our doubles, our bodies, real and virtual. It mixes dance, monumental mapping, generative art and artificial intelligence. At the heart of the show, Jeanne Morel dialogues and integrates herself into an AI work, generated by Paul Marlier. How to give back space to the living in the heart of the machine? How to weave, together, a new language.



Alien Art
Creation in extreme environments and in particular in weightlessness (with the National Center for Space Studies and the European Space Agency) offers artists the opportunity to create new means of biometric capture, to transform them, to "augment" them. Following the writing of his architecture and design thesis, the Augmented Human, Paul Marlier is looking for tools capable of capturing the invisible, of translating emotion. Thanks to deep learning, he sets up a new process of biometric capture and transmission adapted to the absence of gravity.